a curious mind
"things that are equal to the same thing are equal to each other." - euclid
white+black chair model - cia mooney
the organic and evocative beauty of nature.
the kenyan artist, wangechi mutu, uses mud stick, old shoes, and gold leaf to create a forest of footwear.
before too long, this little guy won't be your luggage as robot look-alike, but a real, responsive and social character. it is easy to imagine the multitude of robots that will inhabit our future, some winning hearts and others raising doubt about human endeavor and existential threats as 'the singularity' nears.
i keep revisiting the peace sign, here 3D printed striving for a yarn-like quality achievable through making flaws in the digital drawing.
'infinite beta' is a state of mind -- agile, curious, always learning and essential to the training of the creative tribe.
nature never ceases to amaze.
the starett combo square. it's heavy and stout, strong enough to last many lifetimes.
Somewhere along the way, we lost our way.
i read today of the increased speed with which species are dying. as a nation, we have told the world that we want to renegotiate the Paris climate accord. if time is of the essence, where is the urgency to act?
what future have we left the next generation?
vantablack is the blackest black on earth. consisting of tiny carbon nanotubes adhered to a substrate, the tubes capture more than 96% of light. the effect on three-dimensional surfaces obliterates the visual changes in form. the material has been developed for use in outer space where thermal cycling, high shock and vacuum are present.
vantablack samples are available to commercial and educational customers and may be ordered from the lab in england. a new spray version of the material allows applications to be applied like paint, but controlled conditions are required. samples are currently costing about 600 Euro.
of the many stellar women in the world, zaha hadid was a creative standout for me. her bravery and strength of vision were evidence of a once-in-a-lifetime talent. she stood self-assured in a profession dominated by men. her bold and noble persian eyes wide open, she throttled architecture where it had not gone before to realize the crisp shards of her seminal "peak" project in hong kong to the undulating curves and speed-filled volumes of stadiums, office towers and museums.
zaha hadid imagined a new architecture. she strode a wave born from the architectural association, the radical london school. around the world, experiments were percolating by gehry, tschumi and koolhas (the latter, her professor at the aa). zaha plotted her own course. she had the mathematician's view of digital age design and the artist's spirit where gravity no longer existed and fluid architecture floated curves with rigorous abandon.
i miss zaha. i wish that i had known her in life. she was an amazing architect and an amazing woman.
the world is shifting. not just baby seismic rumblings from the salton sea, but big thunderous tsunami warnings from the tech future of now. you see, we can't wait anymore for breathing room to ascend the heights by slow learning. today, you/me/we have to hook the rocket. VR (virtual reality) is great for gaming, but you're isolated in a specific bubble. AR (augmented reality) takes it up a notch, but xR/mr (mixed reality) is the new frontier. here, the environment that you experience in real time (your life) is fully mapped by the machine enabling designers or the user to build therein or there upon. architects use it to walk through virtual constructions and imagined spaces.
so, get a google cardboard VR set that uses your cell phone as the screen. it's very low cost and you can pick the apps to watch. the apps are not very high fideliity, but you can go into museums that you may never get a chance to visit and skydive in a wing suit through cragged peaks and treetops. try this world out.
if designers fear obsolescence, we should. if we choose to participate in new technologies and tools, like TILT BRUSH and HOLOLENS, we can and should. the tech industry is pulling human experiences into the virtual domains of tomorrow. if you go without resistance, fine. we have to trust the creative sensibilities of artists, designers, architects and purveyors of techno-culture to help us crack the tech future in which humankind and the planet can thrive. less violence. less threats of war. less pressure on the planet and other species, let alone our own.
dreamers and creative thinkers will interpret new spaces for human interactions. the built world will be sensorially-responsive made of light, color, sound and haptic responses.
it's moving fast.